Showing posts with label Obsessive List Making. Show all posts
Showing posts with label Obsessive List Making. Show all posts

Thursday, August 20, 2009

Happy (Very Belated) Birthday to Madonna

This heat wave on the East Coast has just killed me this past week, and I am behind on several postings. Sunday was Madonna's 52nd birthday, and I completely forgot to write anything about it. Like any good gay, I'm a huge fan of Madge, so I'm happy she remains prolific into her fifties, while so many other acts eventually lose some relevance in pop culture and the music industry. In honor of her birthday, here's a listing of my top ten favorite Madonna songs.

1. "Like a Prayer"
2. "Vogue"
3. "Papa Don't Preach"
4. "Human Nature"
5. "Express Yourself"
6. "You'll See"
7. "Oh Father"
8. "Ray of Light"
9. "Sooner or Later"
10. "Holiday"

Friday, May 29, 2009

Best of the TV Season: Top Ten (Part 2)

5. 30 Rock (NBC)
30 Rock ranks this high simply for being the funniest series on television. Every episode ellicits at least three boisterous laughs from me, which is by no means a small feat. The series might have been criticized this season for being too guest-star heavy, but while several episodes did incorporate celebrity guests, they were for the most part well utilized, the exceptions being Steve Martin and Salma Hayak. Hayak's plotline would actually have worked well had it only covered two or three episodes. This season benefited from better usage of Jane Krakowski as the needy, egotistical, and almost delusional Girlie Show actress Jenna Maroney. Last season Jane's Jenna was often on the periphery, or just plain absent, from the episodes, but this season she had two hilarious, ongoing plotlines, playing Janis Joplin in a biopic, and finding success with a popular catchphrase, and had a chance to sing in a number of episodes. If you hire a Tony winning actress for your series, you better let her sing.

4. Pushing Daisies (ABC)
Why did you have to cancel this series ABC? I'm still highly upset over the network's handling of the program. It could have maintained decent enough ratings had the show only come back after last year's writers strike, rather than being kept off the air until the next season. Whatever; what's done is done. I'm going to miss every quirky moment of this series, it's dark underside camoflauged by bright colored sets and costumes, and rapidly spoken dialogue. I'm going to miss the romance between Ned and Chuck, the pie-shaped restaurant appropriately named The Pie Hole, the Charles sisters, but most of all I'm going to miss Olive Snook, the adorable waitress pining for Ned, played by the equally adorable Kristin Chenoweth. Sob.

3. Battlestar Galactica (SciFi)
The SciFi series came to a close this season, airing its last ten episodes, and boy did it go out a bang. A grandly staged battle between the Galactica and the Cylon's base led to a brief truce, which collapsed under human/cylon psychodrama. The humans find a new "Earth," our Earth thousands of years in the past, and Hera proves to be the ancestor of all humans. Then there's President Roslin, played magnificently by Mary McDonnell, who, once finding a home, succumbs to her cancer. I'll admit it - I cried. The series also chose not to explain everything, retaining a sense of mystery around it. What exactly was Kara, what happened to the Cylons once they left the humans on Earth, and who or what was the God/Supreme Being/Force intervening in these character lives? Lost could learn a lot from the Battlestar Galactica's finale. When you're bringing an epic series to a close, make the finale epic, and don't force an explanation for every mystery, leave some wonder.

2. Breaking Bad (AMC)
The first season of Breaking Bad showed signs of a promising series, but there was always the sense its concept, a high school chemistry teacher dying from cancer decides to sell chrystal meth to support his family, would limit its scope. Season 2, however, has proven this wrong. The series benefited from expanding its focus beyond Walt, delving deeper into the supporting characters. While Jesse was often used as comic relief in the first season, he's become the voice of reason in many instances, opposing Walt's grander schemes. Skyler is no longer the dutiful, trusting wife. She realizes Walt has been lying to her, and is willing to confront him, while rebeling in her own ways. Hank, Walt's brother-in-law and DEA agent, has probably expanded the most. During the first season, he wasn't so much a character, as a concept, providing a sense of danger and irony, but given a promotion in the DEA, Hank is now shown as a reluctant hero, who may be in over his head. The series also benefits from refusing to allow easy situations. Most of Walt's and Jesse's plans to expand their business fall through, because ultimately, these characters still have no idea what they're doing.

1. Mad Men (AMC)
How bizarre is it that AMC has the two best series on television? Who'da thunk it? Choosing my number one program was the easiest decision on the list. Nothing on the air can compare with Mad Men. Hell, most films couldn't compare with Mad Men. IT'S SOOOO BRILLIANT! But, anyway... the second season proved creator/writer Matthew Weiner had more to say about these characters and the time period. Most great shows often fumble during their second outing, not finding their footing after the initial concept is explored in the first season. The series was aided by having a leap of time between the seasons. We get to discover the events that led to the characters' positions in season two, without having to witness them. And while, Don Draper is the central character of the series, and its thesis, the most interesting aspects of the show, are its women. The characters Peggy, Betty, and Joan represent archetypes of women in the early sixites - the newly ambitious working girl, the dutiful wife, and the husband-seeking single gal, but through the season, we see these women struggle with their society given identities. Few other shows are able to write such strong female characters.

Monday, February 9, 2009

Grammys - The Morning After

Wow, that show was kind of pointless. They aren't even trying to be relevant or at least appear to be interested in current music. I mean bringing out Paul McCartney, Neil Diamond, and Smokey Robinson to sing there old classics, was kind of ridiculous. The Grammys were essentially saying, "Here, see this is the music we like, never mind about today's crap." Oy! It's okay if you want to celebrate the artists, but at least have them sing their current stuff. Neil Diamond's last album was his first to reach #1 on the Billboard album charts, and it received good to great reviews. Why not have him sing something from that? Anyway, I'm going to try to focus on the positive from last night's broadcasts. My five favorite performances from last:

1. Jay-Z, Kanye West, TI, Lil Wayne & (a very preggers) M.I.A - "Paper Planes" & "Swagga Like Us"
2. Radiohead - "15 Step"
3. Estelle & Kanye West - "American Boy"
4. Jennifer Hudson - "You Pulled Me Through"
5. Sugarland & Adele - "Stay" & "Chasing Pavement"

Wednesday, December 24, 2008

10 Favorite Christmas Movies

It's Christmas Eve, and in celebration of my favorite holiday, here are my ten favorite Christmas movies. I didn't include any TV specials, but if I did A Charlie Brown Christmas and How the Grinch Stole Christmas! would both place highly.

10. Love, Actually
9. The Fabulous Baker Boys
8. White Christmas
7. The Muppet Christmas Carol
6. Die Hard
5. The Nightmare Before Christmas
4. Miracle on 34th Street
3. Edward Scissorhands
2. It's a Wonderful Life
1. Meet Me in St. Louis

Wednesday, December 3, 2008

Happy Belated Birthday to Woody Allen

I completely forgot Woody Allen's birthday was on Monday. For a man who just turned 73, he's still surprisingly active, making films that can receive kudos - Vicky Cristina Barcelona, Match Point. Allen is one of my favorite directors ever, right up there with Hitchcock, Wilder and Altman. So in honor of his birthday and career, here are my ten favorite Woody Allen films, all worthy of receiving a grade of A- or higher in my opinion.

1. Manhattan (1979)
2. The Purple Rose of Cairo (1985)
3. Interiors (1978)
4. Hannah and Her Sisters (1986)
5. Crimes and Misdemeanors (1989)
6. Annie Hall (1977)
7. Bullets Over Broadway (1994)
8. Match Point (2004)
9. Everyone Says I Love You (1996)
10. Sleeper (1973)

Friday, November 21, 2008

WALL-E & Pixar on the Brain

With WALL-E coming out on DVD this past week, I finally got to see the film a few nights ago. It was a great film and it continues a pretty great track record for Pixar. All of their films, with the exception of one, have been at least good. The one exception being Cars which I had issues with, mainly because its notion of a world in which all living things were vehicles, including cows and flies, didn't quite work, but also because its the only Pixar film which seemed to be purposefully commercialized. All the other movies seemed to be focused on telling an interesting story with interesting characters. With Cars it was as if the creators thought, "We could have tie-ins with NASCAR, and make a bunch of toy cars for boys, and place the character of McQueen on everything else. Money, money, money!" Also the film featured the voice of Larry the Cable Guy, which just makes me shudder thinking about it. Eech. Anyway here's my ranking of the Pixar films:

1. Ratatouille
2. Toy Story
3. WALL-E
4. The Incredibles
5. Finding Nemo
6. Monster's Inc.
7. Toy Story 2
8. A Bug's Life
9. Cars

Tuesday, November 4, 2008

Election Day Is Here! Top 10 Political Films

Election day is finally here, and everyone should be voting today, hopefully for Obama, so I decided to do a brief posting on my Top 10 political films. Now with some of these I may be stretching the idea of what a political film is, but I do associate all of them with American politics. I did, however, decide not to include any documentaries.

1. Nashville (Robert Altman, 1975)
2. The Manchurian Candidate (John Frankenheimer, 1962)
3. Citizen Kane (Orson Welles, 1941)
4. Dr. Strangelove (Stanley Kubrick, 1964)
5. Reds (Warren Beatty, 1981)
6. Mr. Smith Goes to Washington (Frank Capra, 1939)
7. Primary Colors (Mike Nichols, 1998)
8. Election (Alexander Payne, 1999)
9. All the President's Men (Alan J. Pakula, 1976)
10. Wag the Dog (Barry Levinson, 1997)

Remember to VOTE today!

Thursday, October 30, 2008

Films that Remind Me of Halloween

With Halloween arriving, I decided to write a post devoted to films that I associate with the holiday. The films aren't necessarily about Halloween or scary or even great, but when this time of year comes around, these are the films that come to mind, or if I were to rewatch one of them during another part of the year, I would think of Halloween. Basically the films and the holiday are linked together in my mind.

10. Children of the Corn (Frtiz Kiersch, 1984)
I think I've seen this movie three or four times, each occasion on or around Halloween, and admittedly it's not a good movie. The movie is crying out for a remake, since I think at it's core it has a good premise. A small, heartland town is overtaken by its children who form a cult. That's just creepy, and Malachai is a great character. It would be fun to see what a great screenwriter and director could do with the material. Apparently, there is a remake being filmed, but it's a TV movie for the Sci-Fi channel, so I wouldn't hold my breath.

9. Corpse Bride (Tim Burton, 2005)
The first Tim Burton film on the list, and really what director bettersums up the holiday than Burton. Creepy, kooky, and whimsical are all adjectives that can be applied to both the director and film. A man soon to married accidently weds a corpse, and is transported to the world of the dead, which is more lively than the world above. The movie just puts a smile on my face, although the film's songs were disappointing, when you compare them to the brilliant songs of Burton's and composer Danny Elfman's previous collaboration on a sto-motion animated film, The Nightmare Before Christmas, which will be higher up on the list.

8. Meet Me In St. Louis (Vincente Minnelli, 1944)
This is a movie that reminds me of Halloween, this is a movie that reminds me of Christmas, this is a movie that reminds me of trolleys, but above all else this is a movie that reminds me of Judy Garland, who gave her second best performance ever, behind only 1954's A Star is Born, in this film. Halloween only takes up one section of the film, with the two youngest daughters of the Smith family, Agnes and Tootie, going trick-or-treating and playing a game in which they "kill" people by throwing flour in their face when they open the door. The film will also forever be linked to Night of the Living Dead in my mind. In college I had to watch them back-to-back during a film class, because we were to compare them as representatives of different genres, which both use children to subvert the social mores of society. The comparison still sticks.

7. Monster House (Gil Keanan, 2006)
Another animated film from the aughts, this one is set on Halloween. The film takes a premise that we can all relate to, the creepy neighborhood house that every kid thinks is haunted, and turns it into both a wacky monster movie and touching love story. The film's art direction is amazing. It perfectly replicates a day in late October and the house's transformation into a living being is brilliant. I could also go on and on about the voice work, from Kathleen Turner, Maggie Gyllenhaal, and Steve Buscemi, to three kids who are the central characters. How could a film like this lose the Animated Feature Oscar to Happy Feet? Ech!

6. Young Frankenstein (Mel Brooks, 1974)
The first time I saw this film was on a Halloween when I was a teenager. Everyone considers either The Producers or Blazing Saddles to be Brooks's best film, but I personnally think Young Frankenstein is far superior to either of those films. I think it's his most coherent film, but also his funniest, combining slapstick, puns, film references, and silly asides into an intelligent spoof/homage to the films of James Whale. It features both Gene Wilder's and Peter Boyle's best performance, plus has a amaing supporting cast that includes Cloris Leachman, Teri Garr, Gene Hackman, and Madeline Kahn.

5. Batman Returns (Tim Burton, 1992)
Yes, another Tim Burton film. I include this movie on the list simply because when I was nine I dressed up as the Penguin, specifically the version from this film. It was a heavy duty costume, too. I had a ton of padding, the worn-out suit, the wig, the makeup, including a prosthetic nose, the three-fingered gloves, and the top hat. I wound up winning an award for Most Creative Costume at my Cub Scout Halloween party. I was really proud of the costume. To this day I haven't come up with a better costume. I've been a murdered monk, Charlie Chaplin, Bjork, a 70s porn star, Lola from Run Lola Run, an emo band member, but none of them have compared to the Penguin.

4. Psycho (Alfred Hitchcock, 1960)
My favorite movie of all time. That's all I have to say about it. I love it, I love it, i love it! Anthony Perkins is unbelievably creepy. Janet Leigh is wonderful as the film's leading actress who doesn't make it to the film's halfway point, which even when you think about it today is a daring move. If you ever need to know why Hitchcock is the master of suspense just watch (or rewatch) the famous shower scene. It still freaks me out every time I see it.

3. The Nightmare Before Christmas (Henry Selick, 1993)
This is the third Tim Burton film on my list, though he didn't direct it, only cowriting and producing it, as he was busy directing the fifth film on my list, Batman Returns, during the course of its production. Even though he didn't direct it, Nightmare Before Christmas is completely a Tim Burton film. Taking cues from his previous films with its art direction and character designs, the film has that mix of whismy and the macabre. What makes this film particularly memorable are the film's songs, combosed by Danny Elfman. Try listening to "What's This?" or "This Is Halloween" and not have it stuck in your head all day.

2. The Exorcist (William Friedkin, 1973)
I thought I'd include what I consider to be the scariest movie of all time. What makes the films so terrifying, is the idea of an entity taking over a someone's body, so they are no longer in control. The fact that it's the Devil who's taking over is an added bonus. Of course there's no such thing as the Devil, or demons, or possessions, but that doesn't matter, because it still scares the crap out of me. When mentioning The Exorcist, one has to give a shout out to old Hollywood character actress Mercedes McCambridge, who provided the voice of the possessed Regan MacNeil.

1. Halloween (John Carpenter, 1978)
Well, duh, of course this movie would be number one, since the film is named after the holiday. Still, it's a great film, and yay for Jamie Lee Curtis.

Friday, October 24, 2008

Why is Scott Patterson in Saw V?

For the last few days, I've been seeing commericals for Saw V and only yesterday, realized that Scott Patterson was in the movie. I then looked it up on line and found out that he was also in Saw IV. Why is he in this crap? Scott Patterson will always be Luke Danes, the gruff diner owner and love interest of Lorelei Gilmore, on the series Gilmore Girls - Oh, how I miss that show. I loved Patterson on that show, and I liked him on his follow up series Aliens in America, which, unfortunately, was cancelled after only one season. Now he's doing Saw movies? I guess he needed the paycheck. Let's hope better work comes through for him. Speaking of the Saw movies, I don't get them. I saw the first one, and I didn't find it scary at all. It was just gross. A horror movie should scare me. It shouldn't just make me look away in disgust from the gross-out factor. Where are the good horror films! So anyway, here's a list of my top 10 horror films

1. Psycho (Alfred Hitchcock, 1960)
2. Rosemary's Baby (Roman Polanski, 1968)
3. The Exorcist (William Friedkin, 1973)
4. Carrie (Brian De Palma, 1976)
5. Alien (Ridley Scott, 1979)
6. Halloween (John Carpenter, 1978)
7. The Birds (Alfred Hitchcock, 1963)
8. Dawn of the Dead (George A. Romero, 1978)
9. Night of the Living Dead (George A. Romero, 1968)
10. The Haunting (Robert Wise, 1963)

Apparently the 70s were a good decade for horror.

Tuesday, October 14, 2008

My Top 25 TV Shows

Inspired by yesterday's posting about Once and Again, I decided to create a list of my top 25 TV shows ever. There's a bunch of shows considered great which don't appear on my list, since either they were before my time and didn't appear on Nick-at-Night (I'm only 25), or I just never watched them.

1. Gilmore Girls
2. The Simpsons
3. Once and Again
4. Mary Tyler Moore Show
5. Roseanne
6. The Dick van Dyke Show
7. I Love Lucy
8. Sex and the City
9. Lost
10. The X-Files
11. Cheers
12. Battlestar Galactica
13. Mad Men
14. Taxi
15. My So-Called Life
16. The Wire
17. Six Feet Under
18. Late Show with David Letterman
19. Arrested Development
20. The Twilight Zone
21. Seinfeld
22. The Bob Newhart Show
23. Friends
24. Ally McBeal
25. Rocky and Bullwinkle